Corporate Video & Interview Equipment on Rent in Dehradun
Interview work is the opposite of event work: you control everything, so the bar is higher. The subject sits still, the light is yours to build, and the audio has to be clean because a talking head lives or dies on whether it sounds professional. This kit is specced for that control.
What this shoot actually demands
Audio carries the whole thing
Viewers forgive imperfect images and abandon bad sound instantly. On an interview, audio is the first line item, not the last.
You build the light from scratch
Office lighting is flat, green-tinged and unflattering. A controlled key, fill and background wash is what makes a corporate film look like a film.
It has to match across sessions
Testimonials shot over several days must cut together. Repeatable lighting and consistent colour temperature matter more than any single clever setup.
Framing is static, so it has to be right
There's nowhere to hide in a locked-off interview. A solid head and proper monitoring beat fixing it later.
The kit
Sony FX6 Cinema Line Full-Frame Camera
Built-in ND and cinema-grade internal recording — designed for controlled, sit-down work where image quality is the deliverable.
Sony FE 24-70mm f/2.8 GM II Lens
Flexible framing without moving the camera or the subject once the shot is set.
Sony FE 85mm f/1.4 GM Lens
The classic interview focal length — flattering compression and clean subject separation from the background.
Teris TS100 Fluid Head
A stable locked-off frame, with smooth repositioning between setups.
ARRI SkyPanel S-60C Set
The industry-standard soft source. Precise colour control so the subject matches across every session.
Nanlite FS-300B Bi-Color
Opens shadows on the subject or separates them from the wall behind.
Sony ECM-W3
Clean wireless lav audio from the source — the single most important item in this kit.
Director Monitor
So the client can see the frame and sign off on set, rather than emailing changes afterwards.
Worth adding
Sony α7S III
A matched second body for a two-angle interview.
Atomos 7'' Shogun Ultra Monitor-Recorder
External recording and accurate exposure judgement on a large screen.
SYNCO XTalk X5 Wireless Headset Intercom System
Crew comms on larger corporate shoots with multiple positions.
Godox Litemons LE300Bi
A third small source for a hair light or background accent.
What people forget
Only one camera angle
A second angle gives you the cut that hides every edit. Without it, jump cuts and cutaways are your only options.
Shooting in a room with bad acoustics
A glass-walled meeting room sounds hollow no matter how good the microphone is. Choose the room for its sound, not its look.
Fighting the office's overhead lights
Mixed office fluorescents and your key light will not agree on colour. Turn them off and build the light yourself.
No backup recording
A failed card on an interview with a senior stakeholder is not a rescheduling conversation you want to have.
Don’t want to shoot it yourself?
We hire the kit out, and we also shoot on it. Rather hand it over? See video production in Dehradun.
Corporate & interview kit — FAQs
What equipment do I need for a corporate interview shoot?
At minimum: a camera on a solid head, a good lens around 50–85mm, a controlled key light, and a wireless lav microphone. Audio and lighting matter more than the camera body — a well-lit, clean-sounding interview on a modest camera beats a badly-lit one on a cinema body.
Do I need a cinema camera or will a mirrorless do?
A mirrorless body is genuinely fine for most corporate work. A cinema camera like the FX6 earns its keep through built-in ND, better internal codecs and longer run times — useful on long interview days, but not essential.
Can I rent just the lighting and audio?
Yes — kits are a starting point, not a fixed bundle. Take the parts you need and we'll quote those.
Do you provide a crew as well as the kit?
We hire crew — a gaffer or light man — alongside equipment, and we also take on full production if you'd rather not run the shoot yourself.